摘要：Childe Hassam,The South Ledges, Appledore, 1913, oil on canvas, 341 ⁄4 x 361 ⁄8 in. (87 .0 x 91 .6 cm.), Smithsonian American Art
Childe Hassam, The South Ledges, Appledore, 1913, oil on canvas, 341 ⁄4 x 361 ⁄8 in. (87 .0 x 91 .6 cm.), Smithsonian American Art Museum, Gift of John Gellatly, 1929.6.62
弗雷德里克·蔡尔德·哈萨姆
Frederick Childe Hassam
（1859-1935）
美国印象派画家、版画家
弗雷德里克·蔡尔德·哈萨姆（Frederick Childe Hassam）是20世纪初美国艺术界的重要人物，他出生于马萨诸塞州的多切斯特。在他的艺术生涯中，哈萨姆创作了超过3000幅作品，包括绘画、油画、水彩画、蚀刻画和石版画，对美国印象派的传播和发展产生了深远影响。
1886年，哈萨姆与妻子一同前往巴黎，并在朱莉安学院深造，期间深受法国早期印象派画风的影响，尤其是克劳德·莫奈的作品。1890年，他学成归国后，加入了美国早期印象派的核心组织“十人画会”，成为其中的中坚力量。他的风景画、街景和室内场景作品广受观众和官方的认可。
哈萨姆的艺术特色在于他对色彩和光线的精湛处理，被誉为美国印象派的先驱之一。他的作品不仅捕捉了现代城市的活力，也展现了乡村的宁静之美。他对纽约市第五大道的描绘，尤其展现了他对时代精神的深刻理解和表现。哈萨姆偏爱描绘新英格兰地区的自然美景，包括古老的村庄、白色的住房和教堂，以及夏季游乐场，尤其热衷于捕捉雨雾、雪景或晨光暮霭中的长街陋巷，其画面给人以自然清新、轻快甜美的感觉。
哈萨姆在创作中巧妙地融合了印象派的光和色彩效果，增强了写实的造型性。他的画作既有印象派的鲜亮透明光感和丰富的色彩感，又不失坚实的形体感和质量感，体现了在写实派风格基础上对印象派光色效果的吸收和融合。
Childe Hassam, The Island Garden, 1892, watercolor on paper, sheet: 17 1⁄2 x 14 in. (44.4 x 35.5 cm), Smithsonian American Art Museum, Gift of John Gellatly, 1929.6.64
Childe Hassam,The Garden in Its Glory, 1892, watercolor on paper, sheet: 19 7/8 x 13 7/8 in. (50.6 x 35.2 cm), Smithsonian American Art Museum, Gift of John Gellatly, 1929.6.56
Childe Hassam, Thaxter's Garden, 1892, watercolor on paper, sheet: 19 3⁄4 x 14 1⁄8 in.(50.2 x 35.8 cm), Smithsonian American Art Museum, Gift of John Gellatly, 1929.6.54
Childe Hassam, In the Garden (Celia Thaxter in Her Garden), 1892, oil on canvas, 22 1⁄4 x 18 in. (56.5 x 45.7 cm.), Smithsonian American Art Museum, Gift of John Gellatly, 1929.6.52
Childe Hassam, Ponte Santa Trinità, 1897, oil on canvas, 22 1⁄2 x 33 5⁄8 in. (57.0 x 85.3 cm.), Smithsonian American Art Museum, Gift of John Gellatly, 1929.6.61
Childe Hassam, Lillie (Lillie Langtry), ca. 1898, watercolor and gouache on paperboard, sheet: 24 1⁄4 x 19 3⁄4 in. (61.7 x 50.2 cm), Smithsonian American Art Museum, Gift of John Gellatly, 1929.6.57
Childe Hassam, Improvisation, 1899, oil on canvas, 30 x 33 7⁄8 in. (76.3 x 86.2 cm.), Smithsonian American Art Museum, Gift of John Gellatly, 1929.6.55
Childe Hassam, Pomona, 1900, oil on canvas, 37 1⁄8 x 25 1⁄4 in. (94.3 x 64.2 cm), Smithsonian American Art Museum, Gift of John Gellatly, 1929.6.60
Childe Hassam, The Victorian Chair, 1906, oil on wood, 30 x 25 in. (76 .3 x 63 .5 cm), Smithsonian American Art Museum, Gift of William T. Evans, 1911.2.3
Childe Hassam, Up the River, Late Afternoon, October, 1906, pastel on paper, sight 17 3⁄4 x 21 3⁄4 in. (45.1 x 55.2 cm), Smithsonian American Art Museum, Gift of John Gellatly, 1929.6.65
Childe Hassam,Spring, Navesink Highlands, 1908, oil on canvas, 25 x 30 1⁄8 in. (63.6 x 76.6 cm), Smithsonian American Art Museum, Gift of William T. Evans, 1909.7.27
Childe Hassam, Appledore No. 2, 1912, watercolor on paper, sight 14 x 19 3⁄4 in. (35.6 x 50.2 cm), Smithsonian American Art Museum, Gift of John Gellatly, 1929.6.51
Childe Hassam, Noon above Newburgh, 1916, watercolor on paper, sheet: 15 x 22 in. (38 .2 x 55 .9 cm), Smithsonian American Art Museum, Gift of John Gellatly, 1929.6.59
“风格与时代：西方绘画四百年真迹鉴藏展”现场直播，带您近距离欣赏从17世纪到20世纪的欧洲油画真迹。作品涵盖古典、现实主义、印象派等多种风格，题材包括人物、风景、静物、风俗等。
来源：当代油画