Finn Juhl · 用家具诠释现代主义

摘要：位于哥本哈根北部的Finn Juhl's House，不仅是一座住宅，更是一件现代主义整体艺术作品（Gesamtkunstwerk）。1942 年，丹麦设计大师 Finn Juhl 亲自设计了这座功能主义独栋住宅。如今，这栋住宅已成为奥德鲁普加德博物馆（Ord

→

位于哥本哈根北部的Finn Juhl's House，不仅是一座住宅，更是一件现代主义整体艺术作品（Gesamtkunstwerk）。1942 年，丹麦设计大师 Finn Juhl 亲自设计了这座功能主义独栋住宅。如今，这栋住宅已成为奥德鲁普加德博物馆（Ordrupgaard Museum）的一部分，完美融合了建筑、室内设计和艺术，展现了 Finn Juhl 独树一帜的设计哲学。

Situated in the northern outskirts of Copenhagen, Finn Juhl’s House is more than just a residence; it is a Gesamtkunstwerk—a total work of modernist art. designed by Danish master Finn Juhl in 1942, this functionalist single-family home represents a milestone in Danish design history. Now part of the Ordrupgaard Museum, it embodies the seamless integration of architecture, interior design, and art, reflecting Finn Juhl’s distinctive design philosophy.

Juhl家的白色砖墙上点缀着一些生动的细节，比如黄色的遮阳篷和绿松石色的窗户上部。

The white-rendered brick walls of Juhl's family home are punctuated by vibrant details, such as a yellow awning and turquoise upper parts of the windows.

Finn Juhl故居距离哥本哈根市中心约12公里，周末向公众开放。这座房子是毗邻Ordrupgaard艺术博物馆的一部分。

Finn Juhl’s House is located about 12 kilometers from the center of Copenhagen and is open to the public on weekends. The house is part of the adjacent Ordrupgaard art museum.

Finn Juhl的家体现了从内到外的设计逻辑。他以家具和室内功能为起点，反向塑造了建筑的外观，赋予每个房间独特的空间意义。住宅由两栋建筑组成，通过一条带独立入口的走廊连接。这种开放式布局顺应了 20 世纪中期丹麦设计从传统封闭空间向流动性空间的转变，预示了现代家居的未来发展方向。

Finn Juhl’s house exemplifies his “inside-out” design logic. He began with the furniture and interior functionality, shaping the building’s exterior around these elements. Comprising two connected buildings joined by a hallway with its own entry, the home’s open floor plan reflects the mid-20th-century shift in Danish architecture toward open and fluid spaces. This approach laid the groundwork for modern home design.

在室内，Finn Juhl强调光线、色彩与材质的协作。他认为建筑不仅仅是结构，而是一种能与家具和艺术对话的容器。这种整体性的视角，使他的家成为现代主义设计的典范。住宅内部陈列了多件Finn Juhl设计的经典家具，每件作品都以雕塑般的形式呈现出既功能性又艺术化的美学语言。

Inside, Finn Juhl emphasized the interplay of light, color, and material. For him, a building was not just a structure but a container that harmonized with its furniture and art. This holistic perspective elevated the house into a paradigm of modernist design.The interiors of the house are adorned with Finn Juhl’s iconic furniture pieces, which fuse functionality with sculptural artistry. Each piece exemplifies his belief in the emotional and visual power of design.

酋长椅自由摆放在客厅中，以便从各个角度都能看到它。酋长椅以其宏大的造型和有机曲线成为住宅的焦点。它被自由地放置在客厅中央，四面开放的摆放方式强调了其三维雕塑特质。椅子既象征权威，又表达了设计中的亲和力。

The Chieftain Chair is placed freely in the living room, so that it can be viewed from all angles.A bold centerpiece in the living room, the Chieftain Chair commands attention with its grand organic curves and sculptural presence. Positioned freely in the room, it invites viewers to appreciate its form from every angle, embodying both authority and a sense of welcoming intimacy.

诗人沙发前的壁炉采用砖块砌成，砖块延伸至硬木地板，形成矩形，营造出地毯的错觉，并在较大的房间内形成较小的房间。诗人沙发以柔和的曲线和女性化的设计与酋长椅形成鲜明对比。它不仅是住宅的一部分，更是专为客厅的整体氛围而设计，展现了Finn Juhl如何通过家具为空间注入情感。

The bricks employed to create the fireplace, in front of the Poet Sofa, extend into a rectangular shape in the hardwood floor, creating the illusion of a carpet and defining a smaller room within the bigger room.Contrasting the Chieftain Chair, the Poet Sofa features soft, feminine curves, exuding a sense of gentle elegance. Designed specifically for this house, the sofa seamlessly integrates into the living room’s atmosphere, showcasing Finn Juhl’s mastery in blending furniture with space.

银桌的表面采用纯银镶嵌物来标记座位位置。银桌以其极简的线条和轻盈的形式，展现了丹麦现代主义对功能性与美学的双重追求。它的存在强化了室内设计的整体感。

The surface of the Silver Table features sterling silver inlays that mark the seating positions.This lightweight and minimalist table highlights Danish modernism’s emphasis on both functionality and aesthetic simplicity, further accentuating the interior’s cohesive design.

除了家具，Finn Juhl 的家还展示了大量由他亲自挑选的艺术作品。这些作品来自 Vilhelm Lundstrøm、Asger Jorn 和 Sonja Ferlov Mancoba 等丹麦顶尖艺术家，它们与家具共同组成了一个和谐的视觉叙事。艺术不仅装点了空间，也与家具形成了对话，让每一个房间都焕发出独特的艺术氛围。

Beyond furniture, Finn Juhl’s home features numerous artworks personally selected by the designer. These pieces, by leading Danish artists such as Vilhelm Lundstrøm, Asger Jorn, and Sonja Ferlov Mancoba, create a harmonious dialogue with the furniture, turning each room into a unique visual narrative. Art in the home is not mere decoration but a vital component of its holistic design.

虽然鹈鹕椅（Pelican Chair）并未明确陈列在住宅中，但它作为 Finn Juhl 的代表作之一，展现了其设计理念的核心：将功能主义与自由艺术结合。这款椅子通过柔和的曲线和大胆的造型，创造了一种充满生命力的视觉语言，并在奥德鲁普加德博物馆的其他区域展出，与现代建筑形成了巧妙的对话。Finn Juhl 从未将家具设计视为单纯的功能性产物，而是以雕塑家的视角重新定义了家具的形式与意义。他让椅子的靠背、座椅和支撑结构看起来像漂浮的云朵，这种对轻盈感的执着成为其作品的重要标志。他的设计不仅是视觉的享受，更关注人体工程学，为使用者提供了舒适与优雅兼备的体验。

Although the Pelican Chair is not explicitly displayed within the house, it remains one of Finn Juhl’s most celebrated creations. This iconic design embodies his ability to merge functionalism with free artistic expression. Its sculptural curves and bold form evoke a sense of vitality, and its placement in other areas of the museum sparks a nuanced conversation with the modernist architecture.Finn Juhl approached furniture design not as a practical craft but as an art form. With a sculptor’s mindset, he redefined the purpose and form of furniture, creating pieces that appeared to float within their environments. His works are not only visually striking but also ergonomically thoughtful, offering a harmonious balance between comfort and aesthetic sophistication.

2005年，Ordrupgaard进行了扩建，独特的扩建部分由世界著名的英裔伊拉克建筑师扎哈·哈迪德设计。这座建筑采用黑色自密实混凝土浇铸而成，其有机线条似乎从景观中升起。圆形的“鼻子”为这座建筑赢得了一个昵称——“搁浅的鲸鱼”。这座扩建部分是扎哈·哈迪德在北欧的第一座建筑，也是自 18 世纪末以来丹麦第一座由外国建筑师设计的大型建筑。

In 2005, Ordrupgaard was expanded, and the distinctive extension was designed by the world-famous British-Iraqi architect Zaha Hadid. Cast in black self-compacting concrete, the organic lines of this building seem to rise out of the landscape itself. The rounded ‘snout’ earned the structure its affectionate nickname – ‘the beached whale’. The extension was Zaha Hadid’s first building in Northern Europe, and the first major edifice created by a foreign architect in Denmark since the late eighteenth century.

Zaha Hadid’s Wing / Zaha Hadid / 2005

奥德鲁普加德博物馆本身是现代与经典的交汇点，其主展馆由著名建筑师扎哈·哈迪德设计，与Finn Juhl的家仅一街之隔。这种新旧并存的布局，突出了丹麦设计从传统到现代的演进过程，同时也彰显了博物馆作为艺术与设计文化交融中心的重要地位。

The Ordrupgaard Museum itself is a junction of modern and classical art. Its main exhibition space, designed by acclaimed architect Zaha Hadid, sits adjacent to Finn Juhl’s house. This juxtaposition of historic and contemporary elements underscores the evolution of Danish design, cementing the museum’s role as a cultural hub where art and design converge.

在宽敞的家庭住宅中，还有更多的私人区域，例如这个工作空间角落。

In the spacious family home, there are also more private areas, such as this workspace nook.

对于房子里最小的卧室，Finn Juhl 选择了绿色天花板、白色墙壁和床周围的一些艺术品。

For the smallest bedroom in the house, Finn Juhl chose a green ceiling, white walls and a few artworks around the bed.

木地板为室内增添了温暖的氛围。房子的大窗户朝向周围的花园。

Wooden floors add warmth to the atmosphere. The house's large windows open up to the surrounding garden.

Finn Juhl's House是现代主义设计的集大成者。它不仅是一座住宅，更是Finn Juhl对生活、艺术与设计深刻理解的体现。通过建筑、家具与艺术的相互作用，这座住宅传达了现代家居设计的永恒魅力。无论是作为一件建筑作品，还是设计哲学的展示，这里都能让参观者感受到Finn Juhl的设计灵魂：一种功能与艺术完美结合的生活方式。

Finn Juhl’s House stands as a quintessential example of modernist design, blending functionality, aesthetics, and emotion into a cohesive whole. By uniting architecture, furniture, and art, the house embodies the timeless allure of modern home design. It is not merely a residence but a testament to Finn Juhl’s profound understanding of life and art.

来源：星期八室内设计

标签：家具 danish 现代主义 juhl finn

本文地址：https://news.43u.com.cn/a/966334.html

免责声明：本站系转载，并不代表本网赞同其观点和对其真实性负责。如涉及作品内容、版权和其它问题，请在30日内与本站联系，我们将在第一时间删除内容!