摘要：Huang Peng→ The World Is Bleak and Confused, Who Is Not Playing and Singing to Himself! (nine poems)

徐蒜蒜→金陵春梦（中篇）

舒飞廉→多宝鱼（中篇）

袁 凌→丧事（中篇）

三叶草

荣 荣→如何（小说）

荣 荣→大青海里的小点滴（散文）

荣 荣→当时潮涌，如今潮息（诗歌）

从莫斯科到阿姆斯特丹

王威廉→布鲁塞尔，因为碎片所以中心

西游记

淡巴菰→停船暂借问

散文随笔

王单单→原本山川，极命草木

彭 程→风中的消息

周 湄→吟唱起大母神和莉莉丝的远古歌谣：安吉拉·卡特的性别叙事

诗人自选

陈先发→弃巢（外十首）

朱 朱→别的维纳斯（外二首）

黄 鹏→世道苍茫，何人不是自弹自唱（九首）

庄 凌→心上的窗户（组诗）

罗璐瑶→潮水涌至（十首）

批评立场

李 壮→多元性、地方感与语言融合：关于《欧阳黔森诗选》

视觉人文

张佐香→宋朝的瘦风

王燕 丁心源→龟兹壁画摹写者的多维身份认同

——以胡明哲为例

Contents (No.3, March 2025)

Story Stage

Xu Suan-suan → Nanjing Spring Dream (novella)

Shu Fei-lian → Turbot (novella)

Yuan Ling → Funeral Affairs (novella)

Clover

Rong Rong → How Is It? (story)

Rong Rong → A Little Bit of the Big Qinghai (essay)

Rong Rong → Was Surging, Now Subsides (poetry)

From Moscow to Amsterdam

William Wang → Brussels: A Centre Because of Fragments

Traveling in the West

Ta-bacco → Stopping the Boat to Ask

Essays

Wang Dan-dan → Stating the Origin of Mountains and Rivers, and Verifying the Names of Plants and Trees

Peng Cheng → Message in the Wind

Zhou Mei → Chanting Up the Ancient Ballads of the Great Mother Goddess and Lilith: The Gender Narratives of Angela Carter

Poems Selected by the Poets Themselves

Chen Xian-fa → The Abandoned Nest (with ten other poems)

Zhu zhu → Other Venus (with two other poems)

Huang Peng → The World Is Bleak and Confused, Who Is Not Playing and Singing to Himself! (nine poems)

Zhuang Ling → The Window on the Heart (sequence)

Luo Lu-yao → The Tide Arrives (ten poems)

Criticism Position

Li Zhuang → Pluralism, Sense of Place and Language Fusion: On Selected Poems of Ouyang Qian-sen

Visual Arts

Zhang Zuo-xiang → The “Thin” Style of the Song Dynasty

“视觉人文” 宋徽宗 作品赏析、胡明哲 龟兹壁画摹写艺术作品展

宋徽宗 -《溪山秋色图》 台北故宫博物院藏

胡明哲 -《克孜尔尕哈31窟摹写作品 物质载体层面解析》 60×90cm 2021

来源：李小白文字坊6